Does anyone else see the influence of Adam Curtis here? The voice-over sounds a bit Curtis-like, and Whalley has a similar approach to selecting and editing clips. Whenever I think of Adam Curtis I think of the artist Luke Fowler's documentaries, which seem to have headed even further out in the same direction. Like Curtis, Fowler selects dramatic, texturally-interesting clips -- glimpses of radical sixties and seventies subcultures. Whalley does the same thing: his very short clip of Kraftwerk dancing, for instance, is masterfully placed as a glimpse that leaves you wanting more.
If documentaries move more in this direction it's not hard to imagine them employing an interesting and successful rule Fowler sets himself to keep his textures consistent, and his subjects consistently mythical: never show people as they look today. Watching these documentaries, it's hard not to be distracted by counting the lines on Iggy Pop's stomach or regretting the fact that a surviving member of Popol Vuh who looks as if he's undergoing chemotherapy is lighting up cigarettes on camera. We could say that all documentaries about cool and charismatic subcultures are doomed to a basically bathetic narrative structure (it's nature's very own bathos, but that shouldn't excuse it) when they balance young, good looking, cool people against the prunes they inevitably become. The viewer is forced into playing a constant game of Spot the Difference, rather than experiencing the full revelation of an aesthetic revolution at its peak. The end result is a sort of temporal embourgeoisement. "Don't worry," this narrative structure seems to say "we all go slack and paunchy in the end. Even the visionaries."
Then again, there is a fascination in discovering that venues which are part of past legend are also part of your regular experience. Before watching this documentary I didn't realise that the Zodiak Arts Club, a Berlin experimental arts centre founded by Hans-Joachim Roedelius of Cluster, is what I know today as HAU2, part of the Hebbel-am-Ufer theatre complex in Kreuzberg where we watched the Tokio Shibuya theatre season last month.
There are other niggling critiques you could make of the Krautrock doc. The presence of Iggy Pop and the absence of Eno, for instance, is odd. Julian Cope could usefully have popped up at some point. They could have employed a critic to sift bad records of the period from good. Kraftwerk is arguably over-familiar and part of a different genre.
Then there's the questionable scene-setting at the beginning, where footage of 1968 student disturbances in Berlin is played while the script tells us that pop music in Germany at the time was Schlager, which said nothing about "the reality of what was happening on the streets". If the documentarists are trying to set up a "Punk swept away Prog" sort of scenario, they're barking up the wrong tree. First of all, Schlager is still with us; its audience of working class Germans in kniepes doesn't overlap with the Krautrock audience at all. Secondly, Krautrock has as little relevance to urban political uprisings as Schlager has; it's a music of mystical introspection, for the most part recorded in country barns.
Grousing aside, though, this is a very interesting film, and I'd like to see BBC4 continue to employ Ben Whalley. They should also think about screening Luke Fowler's film about Cornelius Cardew, Pilgrimage from Scattered Points, though, because Fowler shows how a documentary about a visionary artist can, itself, be visionary art. It's a good deal more uplifting than counting Iggy Pop's stretchmarks.
Oh lordy, I felt like I was never going to get through this installment of Online Commentary & Diversions:
• Interview/Reviews/Contest: The Seattle Geekly podcast visits Fantagraphics Bookstore & Gallery ("full of dangerous amounts of awesome") and talks to curator Larry Reid as part of their current episode's focus on "geek gifts"; plus reviews of Strange Suspense: The Steve Ditko Archives Vol. 1 ("If you're interested in the history of the comics genre, this is a must-have") and Hans Rickheit's The Squirrel Machine ("steampunk style mashed up with H.R. Giger... the art is amazing"). Plus, they're having a contest giving away a copy of Strange Suspense!
• List: Graphic Novel Reporter begins their Best of 2009 survey of educators and comics pros; so far A Mess of Everything by Miss Lasko-Gross ("Lasko-Gross’ words and pictures felt incredibly authentic") and Luba by Gilbert Hernandez have been named
• Review: "Rolling in like a slow, fuzzed-out guitar line from an Orange-brand amp, The Red Monkey Double Happiness Book lives up to the good vibes promised in its title. ... Having recently finished Thomas Pynchon's Inherent Vice and Jonathan Lethem's Chronic City, I couldn't help but consider The Red Monkey Double Happiness Book as a distant third-cousin to those titles. ...The Red Monkey Double Happiness Book is a weekend read, best consumed with your feet propped up, opposable digits or not." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Paul Hornschemeier excels at a sort of cryptic-cute comic that is better read than described. It's a blend of darkness and sharply delineated perfectionism that, whether he likes it or not, sometimes brings to mind his Chicago contemporary Chris Ware What he knows, though, is that he can go places Ware can't — Hornschemeier's style is every style. ... His diversity of styles is most apparent in All and Sundry: Uncollected Work 2004-2009... It's just a stew of stuff that, like the best sketchbooks, offers an intimate invitation to spy on the ramblings of a formidable creative." – Byron Kerman, PLAYBACK:stl
• Review: "For being a company that puts out the reprints of one of the safest comics of all time, Peanuts, Fantagraphics sure lives on the edge of the comics medium, particularly in the realm of anthologies. Blab! is just such an anthology, featuring a variety of visual quirks that hover closer to straight up art pieces than comics work, but still do not seem out of place with the more narrative pieces that slide between the pictorial pages. ...[T]here's probably someone for everyone in Blab!, if you take the time to look." – Panel Patter
• Review: "Richard Sala’s reinvention of Snow White is a sparkling macabre gem. The 2-color art glows in handsome sepia that is pitch perfect for this delightfully demented tale of a strange land. Sala populates Delphine with cast of horror carnival rejects that is diverse enough to both excite and confound the imagination. This issue [#3]’s creepy locales: dark tunnels, a creepy house, and a gloomy castle are the true stars of this chapter. They make this scary tale an absolute winner. ...[Grade] A" – Leroy Douresseaux, Comic Book Bin
• Reviewer: A new book review from Laura Warholic author Alexander Theroux for The Wall Street Journal, this time of an interesting-sounding collection of "literary invective" called Poison Pens
• Plug: "I grew up in the video age and I’m still in awe of the technology that first allowed me to watch thousands of movies in the privacy of my own home. Call me sentimental and nostalgic, but when I first got wind of Jacques Boyreau’s upcoming book Portable Grindhouse: The Lost Art of the VHS Box it made me giddy with excitement." – Kimberly Lindbergs, Cinebeats
Long before Low Brow caught on, Fantagraphics Books published LOOSE TEETH, a pop surrealist masterpiece by Brian Sendelbach and Scott Musgrove. The only drawback to the comic book was that it was 10 years ahead of its time.
Sendelbach continues to pursue a successful career in comics, while Scott Musgrove has become one of the most highly regarded painters in the Low Brow movement. His alluring renderings of crypto-zoological creatures can be found in THE LATE FAUNA OF EARLY NORTH AMERICA: THE ART OF SCOTT MUSGROVE. Fans of Fantagraphics BEASTS! franchise will find this book fascinating.
Scott Musgrove will be available to sign copies of the book as a guest at the wild 3rd Anniversary celebration at Fantagraphics Bookstore & Gallery on Saturday, December 12. He'll join Peter Bagge, Jim Blanchard, Dame Darcy, Femke Hiemstra, Paul Hornschemeier, Jay Ryan, Jim Woodring, and more. Watch this space for updates!
As part of our festive 3rd anniversary celebration, Fantagraphics Bookstore & Gallery presents a panel discussion focusing on PORTABLE GRINDHOUSE on Sunday, December 13 from 4:00 to 6:00 PM. Five distinguished experts in the field will screen short clips from their favorite exploitation films and discuss its influence on their work, as well as the broader social implications of the genre.
Panelists include artist Lisa Petrucci (KICKASS KUTIES) of Something Weird, cartoonist Marc Palm of Scarecrow Video, Seattle Times pop culture critic Mark Rahner with film critic and curator Robert Horton, the co-writer of horror comic ROTTEN. The panel is moderated by PORTABLE GRINDHOUSE editor Jacques Boyreau and will be followed by a book signing and reception. Admission is free as always.
Don't wait till then. Fantagraphics Bookstore & Gallery is open daily at 1201 S. Vale Street just south of downtown Seattle. Phone 206.658.0110.
Buenaventura Press is having a 20% off sale. That includes my books KLASSIC KOMIX KLUB and THE COMIC BOOK HOLOCAUST. And I also have a page in that big fuckin KRAMER'S ERGOT 7. There's also lots of other great comics to buy by teenage hotshots Matt Furie, Lisa Hanawalt, Ted May and Eric Haven and many more. GO NUTS!!
As part of our ongoing excitement for our soon-to-arrive giant 3-volume set Gahan Wilson: Fifty Years of Playboy Cartoons, we're pleased to present two exclusive sneak peeks at the book!
First, read Neil Gaiman's delightful Introduction (found in the second book; Hef's is in the first one) on our website right here.
Next, download an exclusive 25-page PDF excerpt containing all of Wilson's strips from 1958-1959, including a series of strips spoofing Sherlock Holmes (8 MB). Enjoy!
12:55 pm - A judgment of Paris Today I want to bring together, here on Click Opera, an entry in which you the readers do most of the work, and in which images take the place of text. I'm also interested in how predictable my aesthetics have become. So what I'm proposing is a judgment of Paris; a beauty contest which is also a sifting of values (visual, aesthetic, political, semantic, sexual).
I want to see images of females, girls, women you think are totally my type. They should be wearing clothes, that's important. People without clothes are stripped of cultural referents, and we want those. They should be people who style themselves rather than have professional stylists, and they should be ordinary people, not celebrities. Street style sites like Facehunter might be a good place to source the images, or Flickr feeds. They shouldn't be people I know in real life. Be nice to me in your comments (yes, I am very old, and a bit funny looking) and be nice to the women.
At midnight CET I'll select a winning image -- the person I find most appealing, according to my own personal aesthetic code. I hope I won't have to exclaim "You never knew me!" I think by now you probably do.
Update (midnight CET): What an exciting finish! With about twenty minutes to go before the non-sexist gong sounded, this very beautiful image arrived:
While it looked for a while as if this indie musician would win, the judges -- all right, judge -- decided that she must be excluded as, possibly, a "celebrity", and, possibly, styled (though these things aren't really provable, and we don't know who the woman is).
And so this woman was chosen instead:
The judges (all right, judge) particularly liked the elegant hooded white garment, the expression of intent concentration, and the evidence of creative endeavour (carving) in the picture. Thanks to all who submitted pictures.
We wish to extend our heartfelt gratitude for sending so much joy our way. Frank is still blushing with excitement over the love notes, proposals, propositions, and occasional intimate photos sent from his admirers around the world (China, Norway, Japan, and Poland just this week)! At his request, we blindfolded Justin, one of Frank's BFFs, spun him around in five dozen counterclockwise circles, and asked him to point to ten random postcards/envelopes pasted to the wall. After a brief trip to the bathroom, he chose the following lucky winners, to whom we will give a six-month paid account token (for paid, basic, and plus users) or, for our permanent account holders, a $15 voucher for the LiveJournal gift shop.
We fixed a bug from the last release that was causing screened comments to become unscreened if they were edited
If you happen to be gaming around the corner, check us out on Facebook and be sure to spread the word!
We've added new vgifts to celebrate Thanksgiving! Check out our feathered friend, below!
Give more with charitable vgifts
In honor of national adoption month, we're offering a charitable vgift (priced at $2.99) to support Love Without Boundaries, an organization that provides healthcare and adoption to orphans suffering from life-threatening diseases. LiveJournal will donate 100% of gross proceeds from the sale (we'll cover the cost of credit card transaction fees). To learn more about Love Without Boundaries, please visit lj_cares. You can purchase your Love Without Boundaries vgifts in the Virtual Gift shop. We'll keep you posted on how much we raise!
Photos of the week
We're delighted to showcase yet more incredible photos from some of our brilliant LiveJournal photographers around the world. Keep posting (and tagging). And be sure to show some love by commenting on the awesome view at lj_photophile.
Check out this week's photos and more amazing user content after the jump!
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I want to see images of females, girls, women you think are totally my type. They should be wearing clothes, that's important. People without clothes are stripped of cultural referents, and we want those. They should be people who style themselves rather than have professional stylists, and they should be ordinary people, not celebrities. Street style sites like 
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